Ogni gesto lascia un'impronta che evoca una storia. La fotografia lo testimonia e ne conserva la memoria, talvolta mentendo, talvolta dicendo la verità. Chi vede, distingue. Quelle che si scorgono sono le tracce di alcuni attraversamenti. I luoghi sono quasi sempre quelli dell'abbandono e delle rovine: un modo, come altri, di pensare il tempo. Dietro l'apparenza di ciascuna immagine, c'è un soggetto invisibile. E' il protagonista, o meglio, sono i protagonisti di infinite piccole storie. Non solo personali o individuali.
TRACES Every gesture leaves an imprint that evokes a history. The photo testifies it and preserves the memory of it, sometimes lying, sometimes saying the truth. Who sees, it distinguishes. Those that are perceived are the traces of some crossings. The places are always those of the abandonment and of the ruins: a way as others, to think the time. Behind the appearance of every image, there is an invisible subject. He is the protagonist, or better , they are the protagonists of small histories. Not only personals or individuals.
Flickr Photostream
MATERIALI PER UN'ESTETICA DELLE ROVINE_MATERIALS FOR AESTHETICS OF RUINS
Until 2000 I worked in the management of Enterprise Communication, first in the Region of Veneto (Padua) and then in Romagna (Rimini). Left my professional activity, I attended to the study of photography, for which, already in the early 70’s, I deserved alluring acknowledgments (Padua ,1974,75,76). Today, after a useful as well maturing artistic formation, I devotes myself full-time to my work of research in the photographic field. 1972 – Degree in History of Art, Urbino University (“Art and Communication”); 1983- Degree in Sociological Sciences, Urbino University (“Photography and Society”); 2008 – Degree in Photography, Multimedia Project, AABB, Urbino (“Blast, Materials for Aesthetics of Ruins”)